Simone Signoret (; born Simone Henriette Charlotte Kaminker; 25 March 1921 – 30 September 1985) was a French actress. She received various accolades, including an Academy Awards, three BAFTA Awards, a César Award, a Primetime Emmy Award, and the Cannes Film Festival Award for Best Actress, in addition to nominations for two Golden Globe Awards.
Signoret grew up in Paris in an intellectual atmosphere and studied English, German and Latin. After completing secondary school during the Nazi occupation, Simone was responsible for supporting her family and forced to take work as a typist for a French collaborationist newspaper Les nouveaux temps, run by Jean Luchaire.
Signoret's sensual features and earthy nature led to type-casting and she was often seen in roles as a prostitute. She won considerable attention in La Ronde (1950), a film which was banned briefly in New York City as immoral. She won further acclaim, including an acting award from the British Film Academy, for her portrayal of another prostitute, Amélie Élie, in Jacques Becker's Casque d'or (1951), which in France became a signature role for her. She appeared in many French films during the 1950s, including Thérèse Raquin (1953), directed by Marcel Carné, Les Diaboliques (1954), and The Crucible ( Les Sorcières de Salem; 1956), based on Arthur Miller's The Crucible.
In 1958, Signoret acted in the English independent film Room at the Top (1959), and her performance won numerous awards, including the Best Female Performance Prize at Cannes and the Academy Award for Best Actress. She was offered films in Hollywood, but for the next few years worked in Europe—for example, with Laurence Olivier in Term of Trial (1962). She earned another Oscar nomination for her work on Ship of Fools (1965); was part of a cast of international stars recreating the liberation of Paris in Paramount's epic Is Paris Burning?; then, after working with Sidney Lumet on The Deadly Affair and The Sea Gull, she returned permanently to France in 1969.
In 1962, Signoret translated Lillian Hellman's play The Little Foxes into French for a production in Paris that ran for six months at the Théâtre Sarah-Bernhardt. She played the Regina role as well. Hellman was displeased with the production, although the translation was approved by scholars selected by Hellman.Signoret 1978, pp. 324–328. Signoret's one attempt at Shakespeare, performing Macbeth with Alec Guinness at the Royal Court Theatre in London in 1966 proved to be ill-advised, with some harsh critics; one referred to her English as "impossibly Gallic".Sutcliffe, Tom. "Sir Alec Guinness". Film Guardian, 7 August 2000.
Signoret won acclaim for her portrayal of a weary madam in Madame Rosa (1977) and as an unmarried sister who unknowingly falls in love with her paralyzed brother via anonymous correspondence in (1980). She continued to act until her death, working on the miniseries Music-Hall while terminally ill.
Signoret first married filmmaker Yves Allégret (1944–1949), with whom she had a son (Patrick) and a daughter Catherine Allégret. Patrick died nine days after his birth. Privately, Signoret blamed the hospital for his death as they had taken Patrick to a chapel for baptism and he shortly thereafter caught a cold and died. Signoret never spoke publicly about his death.
Her second marriage was to the Italian-born French actor Yves Montand in 1951, a union which lasted until her death; the couple had no children. They were both active in left-wing and humanitarian causes, although as they grew older she gravitated towards the political centre and he to the right.
Signoret died of colon cancer in Autheuil-Authouillet, France, aged 64. She was buried in Père Lachaise Cemetery in Paris, and Yves Montand later was buried next to her.
Signoret identified as Jewish. She was a supporter of a variety of Jewish causes, including the Zionism movement and the Soviet Jewry movement. She maintained relationships with many Israeli leaders and was critical of antisemitism in the French Communist Party. Because she was of patrilineal Jewish ancestry and was therefore not considered Jewish under traditional halakha, there was no religious ceremony at her funeral.
1942 | Bolero | Une employée de la maison de couture | Uncredited | |
Prince Charming | Extra | Uncredited | ||
Extra | Uncredited | |||
The Benefactor | La sécrétaire du journal | Uncredited | ||
1943 | Strange Inheritance | Extra | Uncredited | |
Goodbye Leonard | Uncredited | |||
1944 | The Angel of the Night | Une étudiante | Uncredited | |
Behold Beatrice | Liliane Moraccini | |||
Night Shift | Uncredited | |||
Death No Longer Awaits | La maitresse de Firmin | |||
1945 | Box of Dreams | Uncredited | ||
1946 | Dawn Devils | Lily, la cabaretière | ||
The Ideal Couple | Annette | |||
Back Streets of Paris | Gisèle | |||
1947 | Fantômas | Hélène | ||
1948 | Against the Wind | Michele Dennis | ||
Dédée d'Anvers | Dédée | |||
Dilemma of Two Angels | Marianne | |||
1950 | Manèges | Dora | ||
Swiss Tour | Yvonne | |||
Leocadie, the Prostitute | ||||
Gunman in the Streets | Denise Vernon | (also released as The Hunted) | ||
1951 | ...Sans laisser d'adresse | Uncredited | ||
Shadow and Light | Isabelle Leritz | |||
1952 | Casque d'or | Marie 'Casque d'Or' | BAFTA Award for Best Foreign Actress | |
1953 | Thérèse Raquin | Thérèse Raquin | ||
1955 | Nicole Horner | |||
Mother Courage and Her Children | Yvette, Lagerhure | (unfinished) | ||
1956 | Death in the Garden | Djin | ||
1957 | Elisabeth Procter | BAFTA Award for Best Foreign Actress Karlovy Vary International Film Festival Award for Best Actress | ||
1958 | Room at the Top | Alice Aisgill | ||
1960 | General Electric Theater | Woman | Episode: Don't You Remember? | |
Adua and Friends | Adua Giovannetti | (also released as Hungry for Love) | ||
1961 | Roberte | |||
Famous Love Affairs | Jenny | (segment "Jenny de Lacour") | ||
1962 | Term of Trial | Anna | ||
1963 | The Shortest Day | |||
The Day and the Hour | Therese Dutheil | |||
Sweet and Sour | Madame Geneviève | |||
1965 | Ship of Fools | |||
Eliane Darès | ||||
1966 | Is Paris Burning? | |||
Bob Hope Presents the Chrysler Theatre | Sara Lescault | Episode: "A Small Rebellion" Primetime Emmy Award for Outstanding Single Performance by an Actress in a Leading Role in a Drama | ||
1967 | The Deadly Affair | Elsa Fennan | Nominated — BAFTA Award for Best Foreign Actress | |
Games | Lisa Schindler | Nominated — BAFTA Award for Best Actress in a Supporting Role | ||
1968 | Mr. Freedom | Cameo | Uncredited | |
Arkadina, an actress | ||||
1969 | Army of Shadows | Mathilde | ||
Léone | ||||
1970 | Mme L. Lise London | |||
A Hostage | Meg | TV movie | ||
1971 | Léa | |||
Clémence Bouin | Silver Bear for Best Actress | |||
Veuve Couderc Tati | ||||
1973 | The Burned Barns | Rose | ||
Jeanne | ||||
1975 | Lady Vamos | |||
1976 | Police Python 357 | Thérèse Ganay | ||
1977 | Madame Rosa | Madame Rosa | ||
1978 | Elisabeth Massot | TV series, 6 episodes | ||
Judith Therpauve | Judith Therpauve | |||
1979 | Mamie | |||
1980 | I sent a letter to my love | Louise Martin | ||
1982 | L'étoile du nord | Mme Louise Baron | Nominated — César Award for Best Actress | |
Maupassant's mother | ||||
1983 | Thérèse Humbert | Thérèse Humbert | ||
1985 | Des terroristes à la retraite | Narrator | ||
1986 | Music-Hall | Yvonne Pierre | Broadcast posthumously |
1959 | Academy Awards | Best Actress | Room at the Top | ||
1965 | Ship of Fools | ||||
1971 | Berlin International Film Festival | Best Actress | Le Chat | ||
1952 | British Academy Film Awards | Best Foreign Actress | Casque d'Or | ||
1957 | The Crucible | ||||
1958 | Room at the Top | ||||
1965 | Ship of Fools | ||||
1967 | The Deadly Affair | ||||
1968 | Best Actress in a Supporting Role | Games | |||
1959 | Cannes Film Festival | Best Actress | Room at the Top | ||
1977 | César Awards | Best Actress | Madame Rosa | ||
1982 | L'Étoile du Nord | ||||
1977 | David di Donatello Awards | Best Foreign Actress | Madame Rosa | ||
1959 | Golden Globe Awards | Best Actress in a Motion Picture – Drama | Room at the Top | ||
1965 | Ship of Fools | ||||
1959 | Jussi Awards | Best Foreign Actress | Room at the Top | ||
1957 | Karlovy Vary International Film Festival | Best Actress | The Crucible | ||
1959 | Laurel Awards | Top Female Dramatic Performance | Room at the Top | ||
1959 | National Board of Review Awards | Best Actress | |||
1959 | New York Film Critics Circle Awards | Best Actress | |||
1966 | Primetime Emmy Awards | Outstanding Single Performance by an Actress in a Leading Role in a Drama | Bob Hope Presents the Chrysler Theatre |
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